Summary

Mel Brooks create plenty of unforgettable comedy characters throughout his career , including some of the funniest pic characters of all time . Brooks ' movies often make sport of other movie genres , like howSpaceballsmocks sci - fi tropes andYoung Frankensteinplays with the stereotype of the horror musical genre . Brooks always has a knack for remixing and reimagining the stock characters which populate these genres .

Although Mel Brooks ' satiric genius make some memorable characters , he was certainly helped by the fact that he often collaborated with some of the funniest thespian in Hollywood . Gene Wilder , John Candy and Rick Moranis all did some of their best work in Mel Brooks picture show . The director could also pace in front of the camera when he want to , creating one or two more classic comedy characters which have put up the test of metre .

History of the World Part II showrunner David Stassen offers an optimistic expectation on the future of the four decades - belated Mel Brooks sequel serial .

Ike Barinholtz in History of the World Part 2

10Richard Thorndyke

Mel Brooks in High Anxiety (1977)

Mel Brooks give himself plenty of voluptuous part throughout his career , include King Louis XVI inHistory of the World , Part Iand Yogurt inSpaceballs . His good character of all could be Dr. Richard Thorndyke the neural shrink inHigh Anxiety . In his bang spoof of Alfred Hitchcock ’s movies , Thorndyke is a crude amalgamation of many dissimilar Hitchcock protagonists , such asSpellbound ’s John Ballantine andNorth by Northwest ’s Roger Thornhill .

Brooks play Richard Thorndyke without any hint of subtlety , leaning into the histrionic aspects of Hitchcock ’s psychological play .

high-pitched Anxietyisn’t normally ranked amongMel Brooks ' good movies , but when it work , it works attractively . While the cathode-ray oscilloscope of its travesty is relatively narrow compared to something likeYoung FrankensteinorBlazing Saddles , it ’s a must - watch for Hitchcock devotee . Brooks represent Richard Thorndyke without any hint of subtlety , leaning into the melodramatic view of Hitchcock ’s psychological dramas .

Collage of Willow and Clash of the Titans

9Igor

Marty Feldman in Young Frankenstein (1974)

Cast

InYoung Frankenstein ’s repulsion movie parody , Igor is the witless assistant , always eager to please but borderline incompetent . Despite his constant mistreatment at the hand of Dr. Frankenstein and Frau Blücher , he usually has a broad grinning paste across his face . This make him the perfect comedic counterweight to the two more serious characters , who are often too enclose up in their own importance to see the absurdity of what they ’re doing .

Marty Feldman always catch a destiny of comedic mileage out of his bulging , misaligned middle , and his appearance is perfect for the role of Igor .

Marty Feldman always get a lot of comedic gas mileage out of his bulging , misaligned eye , and his appearance is perfect for the role of Igor . With a gnarly kyphosis that he seems unaware of , Igor is the first mark that Dr. Frankenstein should belike turn back instead of pursuing his gramps ’s work of recreate the numb . Feldman always has a absolutely timed goofy look when needed , which make Igor a sympathetic character .

Tom Cruise looking concerned as Ethan Hunt in Mission Impossible – The Final Reckoning

8Leo Bloom

Gene Wilder in The Producers (1967)

The Producerswas the first motion-picture show that Mel Brooks directed , and it remain one of his very best . The funniness relies on the vivid dynamic between the two principal , Gene Wilder and Zero Mostel . In their scheme to put on the worst show in the account of Broadway and swindle their investor , Wilder plays Leo Bloom , the neurotic controller who stumbles upon the loophole that exalt them .

Some comedic actor play the same kind of fibre over and over again , but Wilder had a more impressive range .

The Producerswas the first collaborationism betweenGene Wilder and Mel Brooks , and their styles at once make a perfect peer . Some comedic actors wager the same kind of eccentric over and over again , but Wilder had a more impressive range . He is manic and anxious inThe Producers , clutching at his blue blankie whenever things get too intense . If Max Bialystock is the demon , Leo Bloom is an holy man being keep in line into sin .

Gene Wilder and Cleavon Little laughing in Blazing Saddles

7Barf

John Candy in Spaceballs (1987)

John Candy was one of the most popular comedic actors of his generation , and his single quislingism with Mel Brooks fetch the best out of both men . Candy play Barf , a half - man - half - dog mean to spoof Chewbacca inSpaceballs . Barf and Lone Starr have some of the valor of Han Solo and Chewie , but they cruise the Galax urceolata in a beat - up old winnebago filled with trash .

confect has an earnest sugariness to his performance that arrive at Barf sport to spend metre with .

John Candy usually played characters that the audience could sympathize with . Even as a canine stranger , Barf is somehow the most relatable and charming character inSpaceballs . Candy has an earnest sweetness to his performance that makes Barf fun to spend time with . If theupcomingSpaceballs 2has any chance of replicating the success of the original , then barf will be a big problem , because Candy is a baffling deed to follow .

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6Ahchoo

Dave Chappelle in Robin Hood: Men in Tights (1993)

Although it is n’t as popular as some other Mel Brooks movies , Robin Hood : military man in Tightshas a muckle of great moments . A good number of these consequence come courtesy of Dave Chappelle ’s performance as Ahchoo , one of Robin ’s merry man . Robin Hood : man in Tightswas Chappelle ’s first ever picture appearance , a whole 10 before he reached a unexampled level of success withChappelle ’s Show .

A circle of Mel Brooks ' clowning comes from pointing out the strange hang - ups that New society has about wash and religion . The character of Ahchoo highlight how adventure motion picture are predominantly clean fantasies .

A lot of Mel Brooks ' drollery comes from channelise out the strange hang - ups that New gild has about race and religion . Brooks himself appears as a rabbi inRobin Hood : Men in Tights , and the eccentric of Ahchoo highlighting how escapade movies are predominantly white fantasies . Ahchoo is completely at odds with his surroundings inRobin Hood : Men in Tights . His snapback and sneakers do n’t fit in with the quietus of the jolly man .

Headshot Of Peter Boyle

5Lili Von Shtupp

Madeline Kahn in Blazing Saddles (1974)

Mel Brooks normally has risible manful characters than female single , but Lili Von Shtupp is one celebrated exclusion to this convention . Madeline Kahn ’s springy functioning helps make Lili just as rummy as the two main characters ofBlazing Saddles . Her " I ’m banal " routine shows Brooks ' flair for musical comedy , but it ’s just as much about the dreary , off - central path that Kahn sings it .

Her " I ’m stock " phone number show Brooks ' genius for musical funniness , but it ’s just as much about the dreary , off - primal way that Kahn tattle it .

Lili Von Shtupp is the German femme fatale Hedley hires to use her good luck charm on Sheriff Bart . Her character is a lampoon of the way the westerly genre often treats women , since she ’s brought in as a plot machine to soften a homo . Ultimately , she end up fall in love with the hero surprisingly quickly , which is another trope of Westerns . Mel Brooks ' writing and Madeline Kahn ’s brilliant carrying into action make Lili into much more than a stereotype .

Headshot Of Daphne Zuniga

4Dark Helmet

Rick Moranis in Spaceballs (1987)

Rick Moranis has since retire from dissemble , but he still produced passel of fabled performance for rooter to face back on . His role as Lord Dark Helmet inSpaceballsis up there with his best . Dark Helmet is a brilliant sendup of Darth Vader , subverting the intimidating aura of one of picture palace ’s most iconic villains . By contrast , Dark Helmet is an furious , irrational military personnel - child with a Napoleon complex .

Dark Helmet is a vivid parody of Darth Vader , subverting the intimidating aura of one of cinema ’s most iconic villains .

Rick Moranis does comedic rage intimately than most actors , thanks to his short stature and his expressive face . This helps Dark Helmet stand out as the arrant crystallisation of Mel Brooks ' satiric style . The character distinctly pay tribute toStar Warsby intellect what make it so unique , but it undercuts the sci - fi movie ’s grandiloquence with a misfortunate , ineffectual scoundrel . Moranis is no James Earl Jones .

Headshot Of Cary Elwes In The The John Ritter Foundation For Aortic Health’s ‘Event

3Sheriff Bart

Cleavon Little in Blazing Saddles (1974)

It ’s become trite to say thatBlazing Saddlescould never be made today . Some of its jokes could easily be interpret as going too far , if not for the appealing carrying out of Cleavon Little . He mould a bridgework between the audience and the action mechanism on - screen , rolling his eye and shake his oral sex whenever appropriate to guarantee that citizenry know it ’s OK to laugh . Blazing Saddlesis more intelligent than some people give it reference for . Little and Mel Brooks forge together to interrogate the way of life society talks about race .

The picture when he arrives for the first time , to the stunned silence of everyone in town , is one of Mel Brooks ' funniest scenes .

Sheriff Bart is much smarter than the mean townsfolk he encounters , but their blind prejudice means that he still has to work fantastically hard to win them over . The scene when he arrive for the first time , to the knocked out secrecy of everyone in town , is one ofMel Brooks ' funniest scenes . Brooks clearly figure a creation where people can get together and express mirth about themselves , regardless of race .

Headshot Of Richard Lewis

2Dr. Frederick Frankenstein

Gene Wilder in Young Frankenstein (1974)

Young Frankensteinis one ofGene Wilder ’s best motion picture , and probably his most memorable comedic carrying into action of all . Dr. Frederick Frankenstein , who importune on pronouncing it " Fronkensteen , " initially wants nothing to do with his noted grandfather ’s report as a mad scientist . After spending a little meter getting to grips with the research , he slowly transforms into a mad scientist himself .

Frankenstein ’s shift from a scientist with a microprocessor chip on his shoulder into a walking repulsion - figure makes enjoyment of the full kitchen stove of Wilder ’s acting skills .

Wilder is at his zany , expressive unspoiled inYoung Frankenstein . His transmutation from a scientist with a chip on his shoulder into a walk horror - trope makes use of the full range of his acting accomplishment . This translation is capped by his uproarious " Puttin ' On the Ritz " dance number with the swell lurching teras . Frankenstein scurries around on stage next to the devil , prove desperately to put on a show .

Headshot Of Roger Rees

1Max Bialystock

Zero Mostel in The Producers (1967)

Zero Mostel helped Mel Brooks get his career initiate in the dependable way possible . His carrying out as the self - centered Broadway manufacturer Max Bialystock is comedic atomic number 79 from start to finish . Max is an unscrupulous character who manages to manipulate the mild - mannered Leo Bloom into invest fraud with him . He sells Leo the glamourous life-style of a Broadway manufacturer , even though he ca n’t enshroud the squalor he lives in .

He ’s a distinctive slimy huckster , and he always knows what to say to get everyone on plank with his preposterous scheme .

Max Bialystock has more than his bonny share ofMel Brooks ' funniest quotation . From his first meeting with Leo , his eyes fall up when he senses an opportunity for a quick clam . He ’s a typical despicable huckster , and he always knows what to say to get everyone on dining table with his ludicrous scheme . He can charm a flamboyant music director , an elderly investor or a national socialist playwright without any vacillation .