Best Horror Movies Directed By Women

American Psycho

While the revulsion genre has antecedently been seen as a male person - dominated field , there are a number offemale directorswho have a stunningly scarey filmography . Dodging overdrive narratives and set a fresh whirl on dusty , gendered trope , women of revulsion are forging a sheer , much required path .

Fromwriters like Shirley Jackson , Mary Shelley and Daphne Du Maurier , it is clear that women have always had a certain range on the revulsion genre and the power to extradite truly terrifying narratives . While male theatre director may have had the means and creative documentation to gyrate out more horror films over the years , it is clear that within the writing style , character trumps quantity .

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The horror music genre has often faced literary criticism for its repeat and rules , many of which revolve around inevitable force against women . prefer to step away fromthe exploitationof abuse and focus on deeper themes of woman and humanity , these directors have richened the horror musical style and yield it new profundity .

American Psycho: Mary Harron (2000)

Mary Harron , who made her directorial debut with the controversial independent featureI Shot Andy Warhol , struggle to lead the film adaptation of Bret Easton Ellis ’s infamous novelAmerican Psycho . Putting a satiric whirl on Patrick Bateman ’s character , Harron and her co - writer , Guinevere Turner , successfully mock the blatant consumerism , misogyny and wildness within the narrative . By casting the story through a camp and comedic lens Harron and Turner turnedAmerican Psychointo a rage - classicwith a razor piercing feminist angle .

In My Skin: Marina de Van (2002)

Filmmaker Marina de Van drop a line and starred in her directorial entry , In My Skin , which was released in 2002 and is view to be aside of the New French Extremity film movement . Rooted in visceral depictions ofviolence , erotism and bodily manifestation , the drive captures the savagery of human aliveness . In My Skinfollows a woman as she falls into an obsession with self mutilation , her increasingly destructive acts leading her down a gruesome route .

The Babadook: Jennifer Kent (2014)

Jennifer Kent’sThe Babadookgarnered praise from audience and critic likewise with its powerful word picture of maternity , heartbreak and passing . Using creative scare tactics and the worked up clout of a woman trying to protect her Word and herself from malevolent force that seem to be a placeholder for their hurt in the wake of her married man ’s death . Kent steps off from recycled female horror image and introduce a three dimensional woman who is crusade sorrow in the shape of a menacing foe .

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The Invitation: Karyn Kusama (2015)

Karyn Kusama , recognise forJennifer ’s soundbox , which was engineer by Kusama and written by Diablo Cody ( Juno , Tully ) , recently made Wave again with her boring - tan , tension filled revulsion film , The Invitation . Set at a dinner party for a tightly knit chemical group of old friends , the film take on an uncanny smell as the fond , pay for legion reveal an ulterior motive . An intimate and claustrophobic thriller , Kusama ’s film explores the harm people can cause one another , both emotionally and physically .

Always Shine: Sophia Takal (2016)

Actress and filmmaker Sophia Takal conduct the 2016 psychological thriller , Always Shine , which examines a volatile friendship and the competition instinct Hollywood instills in actresses . star Mackenzie Davisand Caitlin FitzGerald as good friends who take a weekend trip to Big Sur for reconnect , Takal ’s film address the complexity of distaff friendly relationship and the violent consequences of competition .

Raw: Julia Ducournau (2016)

Raw , drop a line and directed by Julia Ducournau , merges a coming - of - age history with cannibalism . Shocking audiences in 2016,Rawfollows new veterinary student , Justine , as she navigate the academic and social aspects of her programme while slowly developing a hunger for human physical body . Dealing with feelings of disgrace , confusedness and isolation Justine must face the changes she is going through while hide out her cravings from those around her .

XX: Jovanka Vuckovic, Roxanne Benjamin, Annie Clark, Karyn Kusama (2017)

Horror anthology flick , XX , features four segment from different female directors , each with their own unparalleled scare and configurations . Jovanka Vuckovic adapts Jack Ketcham ’s short storyThe Boxin a haunting depiction ofpsychological repugnance . Southbounddirector Roxanne Benjamin ’s shortDon’t Fallshows a group of protagonist on a camping misstep go incorrect , deliver a satisfyinglyscary creature - feature . Singer Annie Clark directsThe Birthday Party , starring Melanie Lynskey as a mother attempt to obscure her husband ’s dead body during their girl ’s birthday political party . Karyn Kusama ends the anthology with short , Her Only Living Son , which research an increasingly complex female parent - son relationship in which an absent father is Satan himself .

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